Thursday, March 27, 2008

Christianity trumps socialism in caring for black kids

Community-run child dormitories should be established in remote indigenous communities in the Northern Territory to ensure children are fed, clothed and bathed, former Australian of the Year Galarrwuy Yunupingu says. Dormitory-style accommodation with cooking, showering and sleeping facilities should be built near schools, Mr Yunupingu told Fairfax. "The missionary days were good. The missionaries looked after the kids much better than the government does today," he said.

Adolescents as young as 12 in his Arnhem Land town of Nhulunbuy were still vulnerable to sexual abuse and manipulation by men selling alcohol, drugs and pornography, despite federal intervention in NT indigenous communities, Mr Yunupingu said. "I see intervention people running around trying to fix doorknobs and broken windows," he said. "What has that got to do with the kids? It's not filling up their stomachs. "There are thousands of kids waking up to no breakfast in these communities ... you can't turn a blind eye to it."

Mr Yunupingu is in Melbourne to address an economic and social outlook conference being held at Melbourne University, where he will say 60 elders of his own people in Nhulunbuy had decided to take a stand against those who had been reportedly abusing the town's indigenous youth.

The NT's Little Children are Sacred report, which prompted the federal intervention, alleged a rampant sex trade in an unnamed community where non-Aboriginal mining workers gave Aboriginal girls aged between 12 and 15 alcohol, cash and other goods in exchange for sex. The community was Nhulunbuy, Fairfax said.

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"Bootcamp" for fat kids?

This is REALLY getting Fascist

Bootcamp in schools is not necessary and teachers should not cop the blame for unfit children, the State Government said yesterday. Education Minister David Bartlett said schools were already doing enough to ensure kids were fit and healthy and parents needed to play a larger role. He said bootcamp was "too extreme", school curriculums were already crowded, and schools needed to focus on literacy and numeracy over sport.

His comments come after high-profile TV fitness trainer Michelle Bridges, from the TV show The Biggest Loser, said Tasmanian students should undertake high-intensity bootcamp for at least 30 minutes at the start of each school day to reduce skyrocketing obesity rates. Bridges said she was shocked Tasmania had one of the nation's highest obesity rates and that doctors had been treating children as young as two for obesity-related health conditions. And she said Tasmanian schools could lead the nation with daily bootcamps which would have "massive results" on students' exercise, nutrition and learning.

But Mr Bartlett said he did not support bootcamps and was confident students already did enough exercise at school. "I don't like the term bootcamp because it's too extreme," Mr Bartlett said. "But in fact there are physical education programs happening in all our schools, and some of the best ones are those style of things where kids get out in the morning, do their exercise, get ready and come back in and start learning. "We have mandated two hours of physical education a week in every school in Tasmania, and in almost every school I've been into physical activity and education happens every day."

He said parents needed to stop blaming schools for unfit children, and do more at home to encourage exercise and good eating habits. "It's a crowded curriculum and people in Tasmania, I believe, as my number one priority, want me to lift literacy and numeracy rates and that's what we're working hard on," Mr Bartlett said. He said more emphasis needed to be put on what happened at home.

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The wonders of a government education

Angry students have walked out of their classrooms in protest at the run down state of their primary school. More than 50 pupils holding placards, including one which read "My wet socks suck"', gathered outside Trinity Beach State School, Cairns, in far north Queensland on Wednesday to draw attention to what they call sub-standard facilities. Parents also joined the protest.

Students and parents claim the school's classrooms are run down, cramped and mouldy, there is nowhere to play when it rains, the oval is a boggy mess, the demountables need replacing and the toilets smell. Parent Neils Munksgaard held up a tattered school library book to illustrate the point. "This is out of the school library and you can see it's all patched up with tape and it doesn't look good,"' he said. "And that's pretty much the state of the buildings."

The strike went ahead despite the state government yesterday promising $40,000 in additional funding. Local MP Steve Wettenhall said Trinity Beach State School was "a great school", but organised a petition for parents to sign. "I heard what they said and I'll be taking that message back to Brisbane, and I'll be talking with the education minister (Rod Welford) about the issues at Trinity Beach State School," Mr Wettenhall said.

P&C president Ian Stone said the school was in such a state of decay that some parents had removed their children. "Due to lack of maintenance in the school's general appearance, some parents have chosen to take their kids elsewhere, and that's a crying shame," Mr Stone said.

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Australia's museums becoming tools for Leftist propaganda

By all accounts Dawn Casey, the indigenous woman chosen to be the director of Sydney's largest and most popular museum, the Powerhouse, is a polished performer and formidable administrator. She managed to get Canberra's controversial $155 million National Museum of Australia (NMA) opened on time and on budget in 2001, a feat so fine the builders presented her with a framed piece of the Berlin Wall, on which was engraved, "For making the impossible possible".

But Casey, 57, is also a cultural warrior who believes museums should be political, should showcase "suppressed" voices and a multiplicity of "truths", and should be places of "dissent and debate", as she wrote two years later, in a paper for Australian Museums & Galleries Online. This is presumably what the NMA was all about, conceived by its architect, Howard Raggatt, as "one in the eye for John Howard", with its design modelled on Berlin's Holocaust museum and directly equating Australia's history with the Jewish Holocaust in Europe. Gigantic Braille messages pressed into its anodised aluminium cladding reading "Sorry" and "Forgive us our genocide" were early proof that this was a museum in the business of waging cultural war, despite the softly spoken manner of its well-liked director of four years, Casey.

Black-white relations were summed up by black figures hanging in effigy near a white trooper with a shotgun in his hand. The Anzac tradition was trivialised, with its sole presence a bleached-out statue of a digger. World War II was shoved into the corner of a display case holding Phar Lap's heart. Australia's non-Aboriginal history was treated as a silly joke, summed up in an upside down hills hoist and Victa mowers as the ultimate suburban irony. There was a monument to Gough Whitlam, alone among prime ministers, and suffusing every exhibit what the present director, Craddock Morton, calls a "black T-shirt" view of history; 1970s-style left-wing, and facile.

The arrival of the First Fleet was described in one exhibit as a "biological invasion", but in the Casey era the museum contained next to nothing about the ingenuity, scientific and technological innovations that marked the next two centuries. No Howard Florey. No CSIRO or Qantas. This is a museum as ideological battering ram, not a place for increasing knowledge.

Welcome to the postmodern future of the Powerhouse. After a worldwide hunt, the board has chosen as its director a person who is capable and admirable in many ways, but who, if she sticks to her track record at the NMA, could take the museum down a fraught path. A clue to the nature of the museum is its name, Powerhouse, as the museum was built on the site of an old electricity generation station in Ultimo. It is a science, technology, industry and design museum. Its greatest attractions are a celebration of man's ingenuity and it pays homage to cars and aircraft and space travel. Perhaps that is an anachronism but that's part of the definition of a museum; preserving the past for us to learn from, and wonder at, not twisting it to reflect fleeting modern sensibilities.

The Powerhouse is also popular, and has posted record admission revenues in recent years for shows such as Star Wars and The Lord Of The Rings, with about 200,000 visitors to each. It has become a staple Sydney school holiday outing, with plenty of gadgetry, experiments, virtual reality and genuine science to keep children amused while teaching them about, say, static electricity. In science and engineering, there are not "many truths" and the NMA under Casey was notable, according to the Carroll report of the collection, for its almost complete lack of science, technology and industrial content.

Nick Pappas, president of the Powerhouse's board of trustees, is unfazed by Casey's record at the NMA. He said yesterday Casey was chosen because of her ability and because she is "very good at bringing in audiences and dealing with government in a constructive way". The board, which includes feminist Anne Summers, financier Mark Bouris and educator Judith Wheeldon, didn't even consider the criticism of the NMA's ideological bias under Casey's watch. "We didn't see it as a positive or a negative," Pappas said, adding, ominously, that the Powerhouse is also a museum of "social history" and that Casey has "a very, very broad mandate". It was just such a broad mandate in social history that brought the NMA undone.

Pappas says he also sees the Powerhouse as "a people's museum". "I don't see radical ideology as part of that. It is a place of education and entertainment . but debate is not a bad thing. Museums should never be offensive but they should be challenging." The board's aim, he said, is to better "integrate the museum with the city and integrate it with the public", which they hope is their new director's forte. The previous director, World War I buff Kevin Fewster, who has since taken up a job in London heading the National Maritime Museum, was said to have had too low a profile, despite having brought in record crowds.

Casey, on the other hand, has a high media profile. She will be forever hailed by legions of Howard-haters as the heroine who gave Howard "one in the eye". But while there may no longer be a Howard to kick around, contrary to popular belief, last year's election did not end the culture wars. The left was not suddenly victorious, as signalled by a new prime minister who likes to call himself a conservative.

So while Casey has complained about her conservative critics, and told a Senate estimates committee that it was "extremely unhelpful that in the last few years we have been brought into the culture wars that exist out there", she is being disingenuous. It was Casey, her pet historians and the designers of the museum and its exhibits that deliberately provoked a culture war "in there" when no one was looking. It is difficult to see how Casey's philosophy can find expression at the Powerhouse without drastically changing the nature of the museum.

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1 comment:

Nemesis said...

Time to have an idiot 'round up' and have those 'netted' prominently displayed at the Power House Museum. Future generations of Aussies would then be able to differentiate between the 'Looney Left' and the Conservative just by looking at them. ALL observers would then be suitable forewarned about how a radicalised left can easily destroy ones civilization from within.

Like you Ray I am ex Army also. Terry